In 1968, Mia Farrow showed that she could play a character that required both exhaustive physical and psychological realisation. In Rosemary's Baby, she played a young woman who has the unimaginable happen to her, and she was rightly nominated for a BAFTA and Academy Award for her efforts. A year before that, in 1967, Audrey Hepburn would… Continue reading A Sightless Evil: Mia Farrow in “See No Evil” (1971)
There are spoilers ahead, so put away the wax cylinders if you don't want to hear all of the secrets. Ghosts can be of the mind and they can be of the world. Crimson Peak shows this in incredible detail through its setting and character. This is a ghost story that is all about how ghosts are not… Continue reading My Heart is A Haunted House: Crimson Peak (2015)
Although this film is over forty years old, some may still be concerned about spoilers in the walls, so please remove the plaster at your own risk. Giallo is a genre of film that has come to fascinate me fairly recently. I was largely unaware of it until I watched Twitch of the Death Nerve [insert alternate… Continue reading Tell Tale Voice: “Your Vice Is A Locked Room and Only I Have The Key” (1972)
Licence To Kill (1989) has suffered from a bad reputation for years. Many have wrongly asserted that it bombed at the box office and that the film was critically panned. While the film did not perform as strongly in the US as past entries, the film still earned $156 million dollars at the box office,… Continue reading The Art of Vengeance: A Love Letter to “Licence To Kill” (1989)
Undercurrent (1947) is definitely not a film that many mention in connection with any of its three stars, which really is a shame, because it's a film that deserves more attention. I've read some reviews that have called it a Gaslight knock off, and while Undercurrent shares some elements with that film, it is decidedly different in others. For me, Undercurrent can… Continue reading Rolling in the Deep: Katherine Hepburn in “Undercurrent” (1946)
Mystery Street (1950) is one of the best film noirs I have watched. Yes, a bold claim I know when you consider such faultless outings as Double Indemnity, The Blue Dahlia and The Big Sleep. But Mystery Street is another animal entirely. It is a noir that combines human drama with the police procedural and forensic investigation, which would have been quite… Continue reading Bone Collector: Ricardo Montalban in “Mystery Street” (1950)
And so The Calls of Cornwall: Daphne du Maurier Blogathon has come to an end. I would like to thank all of the bloggers who contributed. I cannot WAIT to go through everyone's posts and read all about du Maurier and her works. I would also like to ask the bloggers who participated, or bloggers… Continue reading Finn…or will she come back?